Tuesday we purchased a new (to us) Rodgers Scarborough 110 organ. I am so happy! We had an Allen spinet organ that was quite nice in its day for a home organ, and was purchased by my parents when I was 7 years old for me to learn on. That was (gasp!) 53 years ago. It served me well even though I kind of outgrew it as far as its capabilities went, but in recent years it's not been playable because some of the keys were not functioning. I started watching Craigslist, etc. and last week we found something too good to pass up! The ONLY thing I have found wrong is that the pads under the keys are going to need replacing one of these days. There is a definite clacking sound, but it's not horrible, and considering I'm so out of practice anyway, I can't be too choosy at this point. This organ was a church organ and never had another owner until they decided to sell it and get a newer organ.
We did find a wonderful old-school orgain repairman who has been doing this type of work for nearly 50 years!! We visited his workshop today and it was a veritable museum of organs!! He demonstrated about 6 of them for us...so fun!! And then he took me to his room where he has boxes and boxes and boxes of organ music...all free for me to take what I wanted. I didn't want to be too greedy, but I found several treasures. One that I was going to buy online: the Flor Peeters Little Organ Book. And several offertory books as well as a hardbound volume of preludes, postludes, etc. Wonderful stuff! We did get a ballpark quote on fixing those worn-down pads, and it wasn't horrible...but something we'll need wait awhile on.
Since I was very limited in registration capabilities on my other organ and only once in awhile had an opportunity to play a pipe organ (I started filling in for my teacher's church one or two weeks each year starting when I was 12, but he showed me which stops to choose and laid it all out for me)...anyway, I am very uneducated as to how to choose appropriate registration for music. What I did learn is too dim in my memory. I will be playing classical (Bach, Handel, etc.) and hymns, and just for my own pleasure, but I'd like to be doing it right. I also think we need some better speakers, because after hearing those organs this afternoon I realize that's a big part of getting good sound quality out of my organ.
Is there anyone on this forum who has the same (or very similar) organ I have and could give me some tips? Or do you know if Rodgers has put out a book on the subject? Since each organ has different choices, I'd really like to find something I could study re: what the various voices are for and what music their qualities are meant for, how to combine and couple them, etc. HELP!
Thanks,
Jennifer
We did find a wonderful old-school orgain repairman who has been doing this type of work for nearly 50 years!! We visited his workshop today and it was a veritable museum of organs!! He demonstrated about 6 of them for us...so fun!! And then he took me to his room where he has boxes and boxes and boxes of organ music...all free for me to take what I wanted. I didn't want to be too greedy, but I found several treasures. One that I was going to buy online: the Flor Peeters Little Organ Book. And several offertory books as well as a hardbound volume of preludes, postludes, etc. Wonderful stuff! We did get a ballpark quote on fixing those worn-down pads, and it wasn't horrible...but something we'll need wait awhile on.
Since I was very limited in registration capabilities on my other organ and only once in awhile had an opportunity to play a pipe organ (I started filling in for my teacher's church one or two weeks each year starting when I was 12, but he showed me which stops to choose and laid it all out for me)...anyway, I am very uneducated as to how to choose appropriate registration for music. What I did learn is too dim in my memory. I will be playing classical (Bach, Handel, etc.) and hymns, and just for my own pleasure, but I'd like to be doing it right. I also think we need some better speakers, because after hearing those organs this afternoon I realize that's a big part of getting good sound quality out of my organ.
Is there anyone on this forum who has the same (or very similar) organ I have and could give me some tips? Or do you know if Rodgers has put out a book on the subject? Since each organ has different choices, I'd really like to find something I could study re: what the various voices are for and what music their qualities are meant for, how to combine and couple them, etc. HELP!
Thanks,
Jennifer
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