Very few information is available about the ARTEM technology which can be found in the new "Chorum" line of Viscount. I want to share here what I've learned from it in the past weeks.
Since I had to buy a new organ for myself and I also had to find a new one for our local church, I browsed the website of Viscount, and was convinced by the speech about the new Chorum 90, which targets the "discerning student" and provides "the latest sampled sound technology".
I bought the Chorum 90 for myself in June 2017. Playing at low volume in my living room, the sound was ok (as good as in the organ shop...), but when increasing the volume or playing with headphones, there was too much of "wind noise" that made me unsatisfied, because that was not clean at all, and would never be OK for a church installation with external speakers.
I contacted both my reseller and the marketing service of Viscount Italy, and they both told me that the technology inside the organ did not allow to reduce the amount of noise heard from the organ stops (especially the principal and flute stops).
So, this is what I can understand from ARTEM:
That's all folks...
Since I had to buy a new organ for myself and I also had to find a new one for our local church, I browsed the website of Viscount, and was convinced by the speech about the new Chorum 90, which targets the "discerning student" and provides "the latest sampled sound technology".
I bought the Chorum 90 for myself in June 2017. Playing at low volume in my living room, the sound was ok (as good as in the organ shop...), but when increasing the volume or playing with headphones, there was too much of "wind noise" that made me unsatisfied, because that was not clean at all, and would never be OK for a church installation with external speakers.
I contacted both my reseller and the marketing service of Viscount Italy, and they both told me that the technology inside the organ did not allow to reduce the amount of noise heard from the organ stops (especially the principal and flute stops).
So, this is what I can understand from ARTEM:
- it is a pure sample-based technology, very similar to the former Vivace / Chorale line
- with a reduced set of samples which have been modified this way: a distinct sound of pipe attack has been added and merged into the first 250 milliseconds of each sample, and a bunch of wind noise has been added in the next part of the sample (for the principal and flute stops), directly inside the samples, that's why it can't be reduced nor adjusted by anyone. Viscount told me that if I wanted to reduce the amount of wind noise, I would have to jump to the "Physis" range of organs, which provide voicing features.
That's all folks...
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