I received yesterday my new Johannus Opus 370, and had it voiced. I will make several posts over a period of days to share with the group my impressions. This post is my "First Impressions" of the instrument.
No matter how big an instrument may look to you on a web page, it's bigger in person! It fits well in the room (I paid close attention to the measurements) but it is still a "big" presence.
This instrument has simulated tracker touch manuals, my first experience with them. They felt odd to me, but the voicer said "You will adapt to those and prefer them very shortly". After 24 hours, I am getting used to the feeling. Their best thing so far? They greatly facilitate rapid passage work. I am fascinated by the surface of the naturals. They are a polymer plastic, of course, but they have a satiny, almost matte "feel" to them. Not slick and shiny at all. I do like that.
The voices - in all four of the styles - are the best samples I have ever heard. Especially excellent are the American Classic and Baroque samples. Many, if not most of the AC samples are from Aeolian-Skinner instruments, and the string celeste is truly exceptional!
Technically, you could say that this is a "custom" organ, because I wanted one stop in the Choir division swapped out. I had them remove the 8' Salicional, and replace it with an 8' Erzhaler Celeste II. That cost me $640, and it was worth every penny!
Just a matter of minutes before the seller called me today to see if I was happy with the instrument, I noticed that the low "C" pedal, which was fine yesterday, had to be pressed down very firmly to sound today. He explained it as typical of an organ just "settling in", and he explained the adjustment procedure to me (took 60 seconds). All is well now.
I will post again soon after I become more relaxed with the instrument. Stay tuned!
Tony
No matter how big an instrument may look to you on a web page, it's bigger in person! It fits well in the room (I paid close attention to the measurements) but it is still a "big" presence.
This instrument has simulated tracker touch manuals, my first experience with them. They felt odd to me, but the voicer said "You will adapt to those and prefer them very shortly". After 24 hours, I am getting used to the feeling. Their best thing so far? They greatly facilitate rapid passage work. I am fascinated by the surface of the naturals. They are a polymer plastic, of course, but they have a satiny, almost matte "feel" to them. Not slick and shiny at all. I do like that.
The voices - in all four of the styles - are the best samples I have ever heard. Especially excellent are the American Classic and Baroque samples. Many, if not most of the AC samples are from Aeolian-Skinner instruments, and the string celeste is truly exceptional!
Technically, you could say that this is a "custom" organ, because I wanted one stop in the Choir division swapped out. I had them remove the 8' Salicional, and replace it with an 8' Erzhaler Celeste II. That cost me $640, and it was worth every penny!
Just a matter of minutes before the seller called me today to see if I was happy with the instrument, I noticed that the low "C" pedal, which was fine yesterday, had to be pressed down very firmly to sound today. He explained it as typical of an organ just "settling in", and he explained the adjustment procedure to me (took 60 seconds). All is well now.
I will post again soon after I become more relaxed with the instrument. Stay tuned!
Tony
Comment