I'd like to get an idea which Allen ADC series organs had built-in speakers(self contained audio)? I know some ADC organs had the "blind" capture system,..not really what I would want,..but could live with if price was right! How did they sound,etc? I read on another thread that the MDC series organs should be avoided as they don't have much to offer in terms of couplers,etc.
Ebay Classic organs
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Which Allen ADC series organs had built-n speakers?
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The ADC-1100 through ADC-3160 properly considered MADC models had, through increasing model numbers, self-contained speakers, divided expression, full capture combination action, crescendo pedal, tutti pistons, and external speakers. Here's a run down of the models with self contained speakers (in addition to the 3-digit models organman95 mentioned):
MADC-2 Models
ADC-1100: self-contained speakers, blind programmable pistons, presence projector speakers on stop board
ADC-1110: as above but double memory capture moving combination action
MADC-3 Models
Slightly different stop list including: Quintaten 16 on Swell, duplexed to Pedal and Great (this replaced the Lieblich Gedackt 16 on MADC-2 models, which was in the Swell division, but only available as duplexed stops on the Pedal and Great); Mixture III on Swell (replaced Sifflote 1 on Swell); adds Romantic Tuning (normally off on original MADC-3 models, normally on on A revision models). Note that with these models presence projectors were no longer provided internal to the organ.
ADC-1130: Self-contained, blind programmable presets, single expression.
ADC-1140: Same as ADC-1130 but with dual memory moving combination action with 7 general pistons only.
ADC-1160: Same as ADC-1140, but double memory moving combination action with divisional and general pistons (6 and 10 respectively).
Of these, obviously the ADC-1160 or 1160A would be the most organ in this package.
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How about standard ADC organs?
My ADC-4500 has internal speakers. It also has the double memory capture moving combination action.
The following probably have internal speakers, though I don't know for sure.
ADC-4600
ADC-3500
ADC-1000
ADC-1010Sam
Home: Allen ADC-4500 Church: Allen MDS-5
Files: Allen Tone Card (TC) Database, TC Info, TC Converter, TC Mixer, ADC TC SF2, and MOS TC SF2, ADC TC Cad/Rvt, MOS TC Cad/Rvt, Organ Database, Music Library, etc. PM for unlinked files.
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Originally posted by samibe View PostHow about standard ADC organs?
My ADC-4500 has internal speakers. It also has the double memory capture moving combination action.
The following probably have internal speakers, though I don't know for sure.
ADC-4600
ADC-3500
ADC-1000
ADC-1010
Personally, I don't consider the theatre models as suitable for classical music, even if they have classical second voicing--the lack of classical trems on the ADC and early MDS models makes them a bit crippled for classical work. Theatre trems just don't cut it for classical work.
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Originally posted by toodles View PostThe ADC-1100 through ADC-3160 properly considered MADC models had, through increasing model numbers, self-contained speakers, divided expression, full capture combination action, crescendo pedal, tutti pistons, and external speakers. Here's a run down of the models with self contained speakers (in addition to the 3-digit models organman95 mentioned):
MADC-2 Models
ADC-1100: self-contained speakers, blind programmable pistons, presence projector speakers on stop board
ADC-1110: as above but double memory capture moving combination action
MADC-3 Models
Slightly different stop list including: Quintaten 16 on Swell, duplexed to Pedal and Great (this replaced the Lieblich Gedackt 16 on MADC-2 models, which was in the Swell division, but only available as duplexed stops on the Pedal and Great); Mixture III on Swell (replaced Sifflote 1 on Swell); adds Romantic Tuning (normally off on original MADC-3 models, normally on on A revision models). Note that with these models presence projectors were no longer provided internal to the organ.
ADC-1130: Self-contained, blind programmable presets, single expression.
ADC-1140: Same as ADC-1130 but with dual memory moving combination action with 7 general pistons only.
ADC-1160: Same as ADC-1140, but double memory moving combination action with divisional and general pistons (6 and 10 respectively).
Of these, obviously the ADC-1160 or 1160A would be the most organ in this package.Late 1980's Rodgers Essex 640
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Originally posted by toodles View PostThe ADC-1100 through ADC-3160 properly considered MADC models had, through increasing model numbers, self-contained speakers, divided expression, full capture combination action, crescendo pedal, tutti pistons, and external speakers. Here's a run down of the models with self contained speakers (in addition to the 3-digit models organman95 mentioned):
MADC-2 Models
ADC-1100: self-contained speakers, blind programmable pistons, presence projector speakers on stop board
ADC-1110: as above but double memory capture moving combination action
MADC-3 Models
Slightly different stop list including: Quintaten 16 on Swell, duplexed to Pedal and Great (this replaced the Lieblich Gedackt 16 on MADC-2 models, which was in the Swell division, but only available as duplexed stops on the Pedal and Great); Mixture III on Swell (replaced Sifflote 1 on Swell); adds Romantic Tuning (normally off on original MADC-3 models, normally on on A revision models). Note that with these models presence projectors were no longer provided internal to the organ.
ADC-1130: Self-contained, blind programmable presets, single expression.
ADC-1140: Same as ADC-1130 but with dual memory moving combination action with 7 general pistons only.
ADC-1160: Same as ADC-1140, but double memory moving combination action with divisional and general pistons (6 and 10 respectively).
Of these, obviously the ADC-1160 or 1160A would be the most organ in this package.Allen MOS 1105 (1982)
Allen ADC 5000 (1985) w/ MDS Expander II (drawer unit)
Henry Reinich Pipe 2m/29ranks (1908)
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