I'll be following your progress. The RMW/Tremolo unit in my theater organ was disconnected when I bought it. I bought a spare unit on ebay several years ago but have never tried to hook either one up. Good to have the complete document from Toodles and the Mouser part number in case my neon is dead.
I should probably start a new thread for this but since there are only a handful of us analog owners on here any more I'll momentarily hijack your epic thread. The electronic trem was only used for the reeds on my organ. The flutes and strings have gyrophonic projectors for the trems. I have enough parts to build a matching gyro cabinet for my reed channel but somewhere I read that it did not sound good so they used the electronic method for the reeds.
That big Allen analog out in Sacramento had the small motor-driven flappers in front of horns for the reed channels. I think you mentioned you have them too. Any thoughts on the differences between the electronic, gyro and flapper tremulant quality?
I should probably start a new thread for this but since there are only a handful of us analog owners on here any more I'll momentarily hijack your epic thread. The electronic trem was only used for the reeds on my organ. The flutes and strings have gyrophonic projectors for the trems. I have enough parts to build a matching gyro cabinet for my reed channel but somewhere I read that it did not sound good so they used the electronic method for the reeds.
That big Allen analog out in Sacramento had the small motor-driven flappers in front of horns for the reed channels. I think you mentioned you have them too. Any thoughts on the differences between the electronic, gyro and flapper tremulant quality?
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