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  • Ebony M3

    Any body have any idea of how many of these were produced. Not even listed as a color for a M3, according to what I have read they only came in Mahogany and Blond Maple

    Jim C Click image for larger version

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  • #2
    Well, they made at least two! That is the one I grew up with 8)

    edit: Seeing that you are also in Tulsa, if you obtained that instrument within the last ten years, it may be the *actual* instrument I grew up with!
    Tom in Tulsa

    Fooling with: 1969 E100, 1955 M3, 1963 M100, Leslie 720

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    • #3
      Are you sure that it isn't the exact same one?

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      • #4
        It actually could be the same one. Unfortunately, I can't recall any identifying marks, the thing didn't have a scratch on it when I had to let it go. The TG was fairly well stuck, though, if I recall correctly.
        Tom in Tulsa

        Fooling with: 1969 E100, 1955 M3, 1963 M100, Leslie 720

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        • #5
          Haha, the organ world is so small... so it's not a rattle-can job? Is there a way to confirm it came from Hammond like this? My mentor has a black A100 but I'm not sure what the story on it is.

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          • #6
            Ours came off an Akron Ohio Hammond showroom floor that way, with a gleaming black "piano finish". We moved it (and us) to Tulsa in 1962.
            Due to the apparent scarcity of black Hammonds, I would bet a dollar to a doughnut that Crewser has our old M3 8)
            I like the idea that it may have found its way from an auction house to someone who will appreciate and enjoy it!

            edit: One long shot clue might be if the bench still held any of the music books that were in it...
            Tom in Tulsa

            Fooling with: 1969 E100, 1955 M3, 1963 M100, Leslie 720

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            • #7
              Originally posted by snacks View Post
              Haha, the organ world is so small... so it's not a rattle-can job? Is there a way to confirm it came from Hammond like this? My mentor has a black A100 but I'm not sure what the story on it is.
              There is not a spot anywhere on it that isn't black. Even inside

              - - - Updated - - -

              Original registration and warranty papers showed it to belong to a Lloyd and Peggy Stephens

              - - - Updated - - -

              Originally posted by tpappano View Post
              Ours came off an Akron Ohio Hammond showroom floor that way, with a gleaming black "piano finish". We moved it (and us) to Tulsa in 1962.
              Due to the apparent scarcity of black Hammonds, I would bet a dollar to a doughnut that Crewser has our old M3 8)
              I like the idea that it may have found its way from an auction house to someone who will appreciate and enjoy it!

              edit: One long shot clue might be if the bench still held any of the music books that were in it...
              If this is the same organ it sure sounds great now. Tone wheel was a little tight but got it up and running. Just sold it to a musician in Arkansas.

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              • #8
                Definitely a different organ, then. I'm confident after reading so many enthusiast posts on this forum that our old M3 surely found its way into a new gig 8)
                Tom in Tulsa

                Fooling with: 1969 E100, 1955 M3, 1963 M100, Leslie 720

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                • #9
                  Originally posted by tpappano View Post
                  Definitely a different organ, then. I'm confident after reading so many enthusiast posts on this forum that our old M3 surely found its way into a new gig 8)

                  Wow, 2 of them in Tulsa, Ok is unreal. This one was actually bought in Texas before migrating here. I will keep my eyes open for the other one.

                  Jim C

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                  • #10
                    When I bought my new M-3 in the late fifties, there was one of those black beauties on the showroom floor of the Hammond Organ Studio of Memphis. I agonized over it. I finally bought the walnut model because all of our living room and connecting dining room furniture was walnut, mahogany and other brown-toned finishes. After graduating and moving out, I somewhat wished I had chosen the black one. But it wasn't too long until I landed a mint-looking walnut CV and never looked back. Did Hammond ever actually make any A, B or C consoles in off-white lacquer (egg shell), or are all of those after-market refinished? I have only seen three or four of them over the many years. They, too, are beautiful in the right setting.
                    Roger Memphis
                    C-3 with O-M, 145, 122RV, 2 PR-40's, PSR-36
                    CV with HR-40, 2 B-40's

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                    • #11
                      Roger, this black beauty put just the right offset to all of our walnut and mahogany furniture. Everybody was amazed at how well it kept it's shine over the years. It was black inside and out, so don't think anyone besides the factory painted it

                      Jim C

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                      • #12
                        At least one satin black M111 here in Vancouver. Was owned by the organ dealer's wife. Hammond would finish your order to your liking for extra money.
                        Blonde limed oak M3 I passed on a few years back,was owned by a friend.
                        I've seen gloss and satin in black on consoles as well. Have yet to encounter an eggshell white.
                        A100/251 A100/147 A102/222 B2/142 BV/147 BCV/145 M3/145 M102/145 M111/770 L101/760 T222/HL722 M111/770 no B3/C3!

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                        • #13
                          Originally posted by Crewser View Post
                          Roger, this black beauty put just the right offset to all of our walnut and mahogany furniture. Everybody was amazed at how well it kept it's shine over the years. It was black inside and out, so don't think anyone besides the factory painted it

                          Jim C
                          Good point, Jim.
                          I've seen some black Steinway grand pianos amongst all sorts of other furniture. They still advance my pulse rate ! :)
                          Roger Memphis

                          - - - Updated - - -

                          Originally posted by Sweet Pete View Post
                          Hammond would finish your order to your liking for extra money.
                          Aah Ha ! I did not know this. Great Hammond lore, Pete !
                          Thanks.
                          Roger Memphis
                          C-3 with O-M, 145, 122RV, 2 PR-40's, PSR-36
                          CV with HR-40, 2 B-40's

                          Comment


                          • #14
                            My Steinway was refinished in satin black. It had some kind of rattlecan black job when I got it. While it's in the "art case," there were also art case ones that were finished rosewood. That can add thousands to the value, too...

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                            • #15
                              I just came across this thread a few days ago and was intrigued by the idea of an ebony Hammond. A couple days later, what did I come across on CL but an ebony M3. It was located 2 hours east of here, and yesterday my fiancee needed me to take her to a last minute family thing 1 1/2 hours east of here. Needless to say, the M3 is now living at my house. Funny how these things come together, huh?

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                              Anyway, it's a pretty amazing instrument. The code on the speaker indicates an early 1960 manufacture. Fires right up, sounds great, no missing or warbling tones at all. Only problem was that the swell pedal linkage was cracked in half. Fortunately it was a clean break, so I'm resetting it with some Gorilla Glue, that should hold it.

                              Cosmetically, there are some small issues, like some white scratches on the legs (probably from wall/doorway paint), a gouge in the wood near the back of the top, and the finish being worn off along some of the edges and corners. The latter isn't really that noticeable. Hopefully I can figure out how to get rid of those white marks and the gouge without messing with the finish.

                              Oh yeh, super dull and rough keys. Any suggestions on how to restore it to a more "glass-like" finish?

                              Anyway, I'm super thrilled to have found this thing! Now we know of one more ebony M3 out there...
                              Farfisa Mini Compact V1, Fender Rhodes 73 Mk. 1, Hammond B2, Hammond L-102 "El Choppo", Hammond M-101, Hohner Cembalet CF, Hohner Cembalet N, Hohner Favor Combo, Hohner Pianet L, Hohner Pianet T, Hohner Symphonic 30N, Leslie 145, Leslie "430" (former 130 cab with horns and light show added), Nord Electro 3, and an entire village of guitars and harmonicas.

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