I've recently been working on a Magnatone M15A amp, and I've been learning more about the Magnatone amps, partly because this one was such a basket case. I had to pay particular attention to the reverb because this one had a dead tank on arrival.
Magnatone's first version of the M15 in 1963 had a dedicated reverb channel with a transistor recovery stage followed by two 6GW8 tubes. Sound familiar? While not an exact copy of the AO44, it's definitely a close adaptation of that circuit. The 6GW8s drove an 8" reverb speaker used only for reverb. Magnatone ran the 6GW8 output sections in fixed bias rather than cathode bias.
Later versions of the M15 dropped this third output channel and third speaker. I wonder if this was to reduce complexity or if Hammond had some issue with the borrowing of the AO44. I suspect the former.
It's always interesting to me to see how the early adopters of spring reverb for guitar amps took their cues from Hammond's designs.
Magnatone's first version of the M15 in 1963 had a dedicated reverb channel with a transistor recovery stage followed by two 6GW8 tubes. Sound familiar? While not an exact copy of the AO44, it's definitely a close adaptation of that circuit. The 6GW8s drove an 8" reverb speaker used only for reverb. Magnatone ran the 6GW8 output sections in fixed bias rather than cathode bias.
Later versions of the M15 dropped this third output channel and third speaker. I wonder if this was to reduce complexity or if Hammond had some issue with the borrowing of the AO44. I suspect the former.
It's always interesting to me to see how the early adopters of spring reverb for guitar amps took their cues from Hammond's designs.
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