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<SPAN style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">A total stranger rang me the other day asking me if I could possibly fix her Wurlitzer 580TA. She had heard on the grapevine that I was tinkering with old organs. She plays the organat the local Baptist church and the Wurly is her practice organ at home. I had never laid an eye on this model and since she lives just a couple of kilometres away;out of interest I foolishlyagreed to have a look at it.<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /><o:p></o:p></SPAN></P>
<SPAN style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">For startersshe has broken a couple of the black plastic half note pedals. She is not exactly Twiggy. Perhaps this explains it. All the flutes(16,8,4) and the Piano, Harpsi and Banjo percussion pre-sets areout. The flutes are trying to come in after a few minutes but not quite making it. Bad contacts somewhere I suppose. The baffle Leslie is making typical "Service Please" noises.<o:p></o:p></SPAN></P>
<SPAN style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">Anyway, I agreed to drag this thing into my workshop and have a go at getting it into some serviceable state. Just as a community service. It is a pretty organ. What surprised me is the quality of the cabinetry. Even the back panel is stained and polished and equipped with quick lock fasteners. I am impressed.<o:p></o:p></SPAN></P>
<SPAN style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">And this brings me to another topic. The most prestige and expensive organ in my collection, the Hammond Elegante has a cheap and filthy looking plain Masonite back panel that rattles like atin roof in a cyclone at any decent volume. <?xml:namespace prefix = u1 /><u1:City u2:st="on"><u1:place u2:st="on"><?xml:namespace prefix = st1 ns = "urn:schemas-microsoft-com:office:smarttags" /><st1:City w:st="on"><st1:place w:st="on">Hammond</u1:place></u1:City></st1:place></st1:City> obviously put a lot of effort into this organ. It has just such clean flutes - correct at the lowest 16 and the highest 1. Good piano and percussions. Average strings. Crap Melody Maker voicing. Reasonable Rhythms. Overall, it can give you some very exciting sounds. But why such a crap, badly fastened back panel? At $AU19,500 in 1981 (this was the value of half a house in the <u1:place u2:st="on"><u1:City u2:st="on"><st1:place w:st="on"><st1:City w:st="on">Sydney</u1:City></u1:place></st1:City></st1:place> suburbs) one could expect more. Even the often bad mouthed Thomas Celebrity has a veneered and polished solid plywood back panel.<o:p></o:p></SPAN></P>
<SPAN style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">James, what is your verdict on this Wurly? Is it worth the effort?<o:p></o:p></SPAN></P>
<SPAN style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">Looking forward to your comments.<o:p></o:p></SPAN></P>
<SPAN style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">Skippy<o:p></o:p></SPAN></P></SPAN>
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<SPAN style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">A total stranger rang me the other day asking me if I could possibly fix her Wurlitzer 580TA. She had heard on the grapevine that I was tinkering with old organs. She plays the organat the local Baptist church and the Wurly is her practice organ at home. I had never laid an eye on this model and since she lives just a couple of kilometres away;out of interest I foolishlyagreed to have a look at it.<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /><o:p></o:p></SPAN></P>
<SPAN style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">For startersshe has broken a couple of the black plastic half note pedals. She is not exactly Twiggy. Perhaps this explains it. All the flutes(16,8,4) and the Piano, Harpsi and Banjo percussion pre-sets areout. The flutes are trying to come in after a few minutes but not quite making it. Bad contacts somewhere I suppose. The baffle Leslie is making typical "Service Please" noises.<o:p></o:p></SPAN></P>
<SPAN style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">Anyway, I agreed to drag this thing into my workshop and have a go at getting it into some serviceable state. Just as a community service. It is a pretty organ. What surprised me is the quality of the cabinetry. Even the back panel is stained and polished and equipped with quick lock fasteners. I am impressed.<o:p></o:p></SPAN></P>
<SPAN style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">And this brings me to another topic. The most prestige and expensive organ in my collection, the Hammond Elegante has a cheap and filthy looking plain Masonite back panel that rattles like atin roof in a cyclone at any decent volume. <?xml:namespace prefix = u1 /><u1:City u2:st="on"><u1:place u2:st="on"><?xml:namespace prefix = st1 ns = "urn:schemas-microsoft-com:office:smarttags" /><st1:City w:st="on"><st1:place w:st="on">Hammond</u1:place></u1:City></st1:place></st1:City> obviously put a lot of effort into this organ. It has just such clean flutes - correct at the lowest 16 and the highest 1. Good piano and percussions. Average strings. Crap Melody Maker voicing. Reasonable Rhythms. Overall, it can give you some very exciting sounds. But why such a crap, badly fastened back panel? At $AU19,500 in 1981 (this was the value of half a house in the <u1:place u2:st="on"><u1:City u2:st="on"><st1:place w:st="on"><st1:City w:st="on">Sydney</u1:City></u1:place></st1:City></st1:place> suburbs) one could expect more. Even the often bad mouthed Thomas Celebrity has a veneered and polished solid plywood back panel.<o:p></o:p></SPAN></P>
<SPAN style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">James, what is your verdict on this Wurly? Is it worth the effort?<o:p></o:p></SPAN></P>
<SPAN style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">Looking forward to your comments.<o:p></o:p></SPAN></P>
<SPAN style="FONT-FAMILY: Arial; FONT-SIZE: 10pt">Skippy<o:p></o:p></SPAN></P></SPAN>
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