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Upgrade to ?? Wersi, Roland, Lowrey et al

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  • abacus
    replied
    If it does what you want, then at that price you can’t argue, just make sure everything is working as it should, as that is quite a low price for an upgraded 900.

    Bill

    Leave a comment:


  • andyg
    replied
    Grab it quick! :)

    Leave a comment:


  • seamaster
    replied
    Yes, yes and thrice yes.

    Leave a comment:


  • Herbert
    replied
    Could this be the answer?

    https://www.ebay.co.uk/itm/roland-at...8AAOSwQbhajzTu

    Leave a comment:


  • Herbert
    replied
    i wonder if this Bohm organ for sale at below £5k meets my criteria. I know nothing about Bohm.

    Bohm Overture Stage Organ in Cherry Wood Finish......currently on E-bay?

    Leave a comment:


  • Momboc
    replied
    Latency and audio glitches are the virtual Organ's enemy.

    I agree.
    • A quality, ASIO capable sound card/interface removes latency.
    • Optimisation eliminates the glitches and crackling.


    Once these are done = sweet

    Leave a comment:


  • andyg
    replied
    There's some good, basic stuff in there, and I've written similar articles myself.

    However, in practice, if you have a decent, well put together PC, decent components, a 7200 RPM hard drive or SSD for streaming and, most importantly an ASIO capable audio card/interface with well written drivers, you don't need to go overboard with optimisation. I spent some considerable time optimising my previous PC, but this one hasn't been tweaked since the day I built it, it's 100% out of the box. The XP partition runs all my older audio software and has never skipped a beat in over 7 years. The Win 7 partition handles Cubase 8, Sibelius etc without issues, again, with no problems.

    That said, if you're going to have a PC that is dedicated solely to the virtual organ, you may as well go for it big time and remove or disable all the bits of Windows that you possibly can that might interfere or slow down the audio performance. There's tons of stuff that could go! Just how much gain there would be? I can't say, but in this situation you have nothing to lose.

    Leave a comment:


  • Momboc
    replied
    Latency is annoying, but it can be fixed/removed to the extent that it is unnoticable.

    If you use a computer based organ then you need to have a computer that has its hardware and software configured and optimised for audio production.

    Here is a downloadable guide

    https://www.cantabilesoftware.com/glitchfree/

    Leave a comment:


  • seamaster
    replied
    I couldn't be doing with that.

    Leave a comment:


  • andyg
    replied
    The delay is known as 'latency'. It's the time it takes the computer and its sound system to detect the note(s) played and produce the sound through the speakers. It can be as much as 3/4 of a second on some Windows systems, which is ridiculously long. If the computer has a decent quality soundcard or audio interface with it, you can bring that delay right down to just a few milliseconds, which is virtually un-noticeable. The best soundcards use the ASIO standard. There is something called ASIO4ALL which can fool most onboard soundchips into thinking that they're ASIO capable and you can get down to maybe 20 milliseconds. That's very playable. ASIO4ALL doesn't always work, though - it's no good on my laptop. Macs are a law unto themselves and should be able to deliver low latency. I never use them so can't tell you for sure. However, an ASIO card or interface is always best.

    Some software comes with low latency drivers, Cubase comes with a generic driver that works fine on my laptop so I use that for about 11 milliseconds. My PC has two ASIO capable cards, either of which will get down to 2 millesconds, but I settle for around 10.

    Of course, pipe organs don't speak immediately and the further you are from the pipes the longer the delay can get. Playing with 250 milliseconds delay on Hauptwerk is good practice for what you might encounter on pipes.

    Leave a comment:


  • Herbert
    replied
    I've never used midi or vsts. I did once try a friends EL90 running Paramount I think it was. There was a long delay between pressing the notes and hearing the sound. I'm sure it wasn't trying to replicate the action of a pipe organ. What would be the reason for such a delay. Are players really using a keyboard to communicate with a computer and getting the same results as playing an organ? Obviously my experience and knowledge of this area is severely limited.

    Leave a comment:


  • Momboc
    replied
    Once you go Virtual (MIDI Controllers + PC + ASIO sound card/audio interface) then you can use samples to emulate a range of vintage organs.

    I'm not aware of any Lowrey samples in the market but here is an example of samples taken from an H100 Hammond and a Wersi Helios.

    In this case the sample packs are configured for loading into a Yamaha Tyros or Genos but I'm sure that they could be imported into Kontakt

    https://youtu.be/4k78zl_rf4k

    You could also go for a 'twin set'; where you use a Tyros/Genos as the upper manual, add a MIDI contoller as the lower manual plus MIDI pedals

    As per this example

    https://youtu.be/5moOwdU4uwo

    PS. It's the same person in both videos

    Leave a comment:


  • Markr
    replied
    Hi Herbert,

    as Bill states, Jeff is running the Wersi HD part of his set up on a Mac computer, if I recall correctly, and is purely using his Scala to provide the MIDI input to produce the sounds. However it could also be a Windows 10 PC, in reality anything that the required VST’s support. I will bow to Bill’s greater knowledge in this area in terms of which manufacturers have the appropriate MIDI control necessary to operate this, however the odd Wersi Verona comes up on eBay for about £2k which with the appropriate computer would allow you to replicate what Jeff has done.

    if this route interests you at all, make contact with Jeff either from his website or via the WersiClubUSA website that Curt runs, as Jeff will I am sure only be too happy to share what he has done in more detail. Obviously it will be heavily Wersi biased, but it is the computer element that you would be interested in I guess.

    thanks
    Mark

    Leave a comment:


  • abacus
    replied
    All the software mentioned is run on a separate computer (Not the one on-board) which is controlled by his Scala, using the OAS advanced Midi System. (While the Roland Midi is better than most it’s a is severely limited compared to OAS, thus making additions more difficult, whereas with OAS the external module operates as if it is part of the OAS system)
    A number of VSTs can still run on OAS but most modern ones require at least Win 7, plus most also require a 64 bit system. (VB3 is a standard option in OAS)
    It comes down to 2 things really, are you happy to be stuck with what you have (Roland) with limited control of expanders, or do you want to be able to hang on to the instrument for a long time and expand it with modules/computer, that operate like they are part of the instrument. (Wersi) You also have the option to upgrade to the latest OAX as well.

    Bill

    Leave a comment:


  • Herbert
    replied
    Hi Mark,
    Yes its very difficult to know whether I would happy even with a more advanced organ. I hope I would but who knows.

    The link you set is very interesting. Although I love the Wersi sound, they always seem expensive even for something made at least 15 years ago. Although tbh Im not sure how old the Rolands mentioned above are.

    Also with Wersi given they are running I think Im right in saying XP how does the software that you are highlighting run?

    That link is very interesting. I assume that there is no such a thing as a Wersi HD? Is the name he is giving it if an OAS instrument had all that software loaded in?

    Leave a comment:

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