Hello everyone,
Mark Pratt asked me what an Allen theatre compact organ was, since it is in my signature as what I play at church. It is the organ on top of the picture (it's labeled :) ) sorry, it's the only web picture I have. It's a spinet model, built in the early sixties. According to the Allen website, it was a big hit and a lot of people bought it for home use (which is where it belongs). Some obscure little church donated it to our church many moons ago. It really is out of place, as I have said before, it is used with piano and orchestra to lead the singing of 400 worshipers. I have turned up the gain control on the amp almost to the max to get it loud enough and I have disabled the motor in the rotary cabinet so that the sound will project better, using the one working speaker in there and not the internal speakers.
The sound is on the horrific side of the spectrum. It has no diapason or reed generators, only 75 or so flute generators. So the way it generates the sound for the other families of tone is like a Hammond, it uses the flute tones at the fifth and twelfth and other harmonics to build up the tone.
So the Solo Diapason 8' is made of Flutes 8', 4' and 2 2/3' and the Oboe 8' might be something like 8' 2 2/3' 2' 1 1/3'. There are other people on here who could describe the tone generation better than I can.
Could someone give me the pitches that would make up a Sesquialtiera? Something historically accurate would be much better than the pseudo-reeds built in to the organ.
Stoplist
PEDAL
Major Bass 16'
Diapason 16'
Pedal Coupler 8'
(plays the other ped. stops
at their octave)
ACCOMPANIMENT
Flute 8'
String Diapason 8' (same sound as all accomp. stops together, rather like a Mixture VII)
Flute 4'
Flute 2 2/3'
Piccolo 2'
Larigot 1 1/3
Fife 1'
Sleigh Bells, Tom-Tom, Snare Drum, Wood Block
SOLO
L. Ged. 16'
Flute 8'
Diapason 8'
Gamba 8'
Trumpet 8'
Oboe 8'
Clarinet 8'
Flute 5 1/3'
Flute 4'
Flute 2 2/3'
Piccolo 2'
Larigot 1 1/3'
Flutes become Tibia [sic]
Marimba, Carillon, Chrysoglott, Xylophone, Repeat, Sustain, Chiff
GENERALS
Tremolo (switches output to both the console speakers and the gyrophonic cabinet.)
Vibrato (all sound to the ext. speaker except some of the pedal division. I usually use this just so that I can hear the other instruments and the congregation. Also it projects the sound into the room better.)
Pres. Proj.
(The gyro cab has a single-speed motor in it for tremolo. At the suggestion of jbird604, I have removed the inline fuse that goes to the motor so I can get a pseudo-classical sound for church use. The speaker cabinet has two 6"? speakers, but one has been disconnected by somebody before my time. I hope I don't fry that single speaker by pumping all the sound through it to fill a ~80' x40' room[*-)])
So this little organ is in use only until a suitable replacement can be found at a very low price. Though the church is 400 strong, 280 of these people are under 18, so the musical instrument budget is rather low. [:$]
I've played everything from a 2/5 Flentrop to a 4/23 Wurlitzer to a 3/55 ? Allen digital to my aunt's 3/40 Austin, but unfortunately this is what I have to play 2x a week.
Php 4:11b ...for I [am learning], in whatsoever state I am, therewith to be content." (while looking for a new organ, checking eBay daily[:D] and churchorgantrader.com and theatreorgans.com even more often than that. craigslist too.)
Registration wise, I stick mainly to the flutes. Typical hymn, as Diademata- verse 1: Accomp. Flutes 8' 4' 2', pedal Diap. 16.
verse 2: Solo-Diapason 8' (Flutes 8' 4' 2 2/3')
verse 3: Solo-Flutes 8'&4', chiff, Pedal Diap. 16',
last verse Accompaniment-Flutes 8' 4' 2' 1', Pedal Diap. 16, Pedal coupler 8'
For a gospel hymn, I might use Flute 8' alone and go to 8' 4' 2' on the chorus. For a softer new song, like "As The Deer" I will go with 8' and 4.'
Hope this has been interesting, if not, at least I didn't have to pay to post.
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