In the thread concerning "Great Composers", reference was made to some of the figures of the organ world who are seemingly overlooked, and this brought Henri Mulet to my mind. He certainly seems to have been a mysterious character, living for many years in seclusion.
There are probably a number of us here who play the Carillon-Sortie or Tu es Petra which are seen countless times on recital programmes.
I recently got hold of the rest of the Esquisses Byzantines and have been trying some of them out - particularly Rosace, which I'd rate as one of the most luminous and beautiful pieces written for the instrument (tough as it is!). Does anyone else play any of his other movements other than the two aforementioned warhorses? A lot of them seem to be thoroughly atmospheric movements and deserve to be better known and played more often.
There are probably a number of us here who play the Carillon-Sortie or Tu es Petra which are seen countless times on recital programmes.
I recently got hold of the rest of the Esquisses Byzantines and have been trying some of them out - particularly Rosace, which I'd rate as one of the most luminous and beautiful pieces written for the instrument (tough as it is!). Does anyone else play any of his other movements other than the two aforementioned warhorses? A lot of them seem to be thoroughly atmospheric movements and deserve to be better known and played more often.
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