When i am writing specs i like to include a brass chorus, however, i lean towards tubas or trumpets, is their anything other stop i should other than Tubas or Trumpets for the Brass chorus or should i stick to those two stops.
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Originally posted by Ben Madison View PostWhen i am writing specs i like to include a brass chorus, however, i lean towards tubas or trumpets, is their anything other stop i should other than Tubas or Trumpets for the Brass chorus or should i stick to those two stops.
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Originally posted by Ben Madison View PostWhen i am writing specs i like to include a brass chorus, however, i lean towards tubas or trumpets, is their anything other stop i should other than Tubas or Trumpets for the Brass chorus or should i stick to those two stops.
There are two basic types of reeds when it comes to function; chorus reeds and solo reeds. The tuba falls into the latter category while the trumpet can be either. I have experienced trumpets which were mellow and blended nicely with the flues and I have experienced trumpets which were loud enough to tear your ears off and swallow them. Both were simply called "Trumpet".
You can not tell by looking at the pipes either - not usually. Obviously a small scale trumpet, like that used in a Moller Artiste, isn't going to be very assertive, but the shallot design and pressure determines the nature of the tone more than anything else.
When a builder draws up a specification, he / she specifies exactly how each rank should be constructed by the pipemakers. Perhaps a preliminary plan, which is just a stoplist, will include only the stop names but even at that, if something special is intended, it will be noted. For instance: " Clairon 4' parallel scale to Trompette. Spotted metal resonators instead of plain metal. Open French shallots, double blocks, harmonic at middle C. Flues from #44."
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