What is the most modern pipe organ with all speaking facade pipes? The notion of phony organ pipes really turns me off.
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How long have dummy facade pipes been around?
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Originally posted by jonmyrlebailey View PostThe notion of phony organ pipes really turns me off.
"I play the notes as they are written (well, I try), but it is God who makes the music." - Johann Sebastian Bach
Organs I Play:
- Home: VPO Compiled from Allen 2110 parts
- Church: M.P. Moller 1951 (Relocated 2015) 3 manual, 56 stop, 38 ranks (Opus 8152)
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Originally posted by jonmyrlebailey View PostWhat is the most modern pipe organ with all speaking facade pipes? The notion of phony organ pipes really turns me off.
Michael
P.S. Facade is spelled façade. It's a French word.Way too many organs to list, but I do have 5 Allens:- MOS-2 Model 505-B / ADC-4300-DK / ADC-5400 / ADC-6000 (Symphony) / ADC-8000DKC
- Lowrey Heritage (DSO-1)
- 11 Pump Organs, 1 Pipe Organ & 7 Pianos
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Originally posted by jonmyrlebailey View PostWhat is the most modern pipe organ with all speaking facade pipes?
While I agree that façade is a French word, I have a feeling that the English spelling "facade" is accepted because many of us don't have the fancy 'ç' on our typewriter or computer keyboards.
To answer the question about the history of dummy pipes, it would be helpful to know why the question is being asked.
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No one really knows the origins of 'dummy' pipes in a facade. They probably came about because there was space that needed to be filled in a facade of (mostly) speaking pipes. In the earliest days of organ building "form follows function" was certainly true. As cases became more elaborate, the pipes (of natural speaking length) may or may not have fit the space so non-speaking pipes were inserted in the design for visual purposes. Often in historic organs, the wind chests behind the facade had similar NOTE spacing for the bass pipes of the Facade rank (typically the Principal rank of the Great division) and the trebles were fitted between for compactness and utility of otherwise lost space in a tierce (that is major thirds) arrangement split between the two 'sides' of the chest. Much could be written on this subject. Perhaps a look at the Joseph Blanton book "The Organ In Church Design" would offer some useful information.
Rick in VA
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