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One of the principal reasons for tuning problems are because of all the glass. Different chambers are at different temperatures. And that changes during the day as the sun moves. Fox recorded there but only at night.
It would have been nice if the bishop knew how to turn off his mike. You hear him making aside type comments to assistants. And while God hears his voice differently than we do, he'd never get a job as cantor.
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I don't have any comments on the organ but I do have to ask why the hell the bishop has a phone on the altar where Catholics turn bread into the body of Jesus. You'd think this would have been a service for Catholics to take pride in..."I play the notes as they are written (well, I try), but it is God who makes the music." - Johann Sebastian Bach
Organs I Play:
- Home: VPO Compiled from Allen 2110 parts
- Church: M.P. Moller 1951 (Relocated 2015) 3 manual, 56 stop, 38 ranks (Opus 8152)
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Originally posted by Philip Powell View PostThere would be no "questions" asked - only statements made.
One would think that a Doctorate in Canon Law would indicate - - well, perhaps not.
George
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Every time I see something like that, I sing this hymn: https://www.youtube.com/watch?v=hkTgYiMDRHY
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Hahaha - Philip, you are a riot! Just be careful what you ask for!! ;-)
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I was not at all impressed with the Italian organist. For some odd reason he shied away from the bug 32' reeds which would have been appropriate for some of his selections.
The bishops microphone ruined the singing ... hello, wasn't there anyone at the mixing board?. The recorded sound could have been better too; I've heard other YT recordings of this organ and the sound was magnificent.
I thought the cathedral organist did a splendid job as did the choir.
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Originally posted by Piperdane View PostI was not at all impressed with the Italian organist.
Then comes the question about the role of the Vatican organist. My guess is that he would be expected to provide inspirational music before, during, and after services. This service was different in nature, calling for a performance, which is not necessarily the same as a church service.
I suspect many (most?) church organists could not be called on to provide a satisfactory performance, while many performance organists could not be called on to provide inspirational music for a church service, which would be meaningful to the parishioners. Kind of a square peg in a round hole scenario.
Then there are organists who are comfortable in both worlds, but I suspect they are not as common as we might think.
MichaelWay too many organs to list, but I do have 5 Allens:- MOS-2 Model 505-B / ADC-4300-DK / ADC-5400 / ADC-6000 (Symphony) / ADC-8000DKC
- Lowrey Heritage (DSO-1)
- 11 Pump Organs, 1 Pipe Organ & 7 Pianos
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My organ lessons included both church and recital music preparation. Back when I was on a church choir tour in 1992 we got to sing for the offertory at their 9am Mass and were the featured choir for their 10:30am Mass. I was the choir accompanist/organist and therefore was the principal organist for the Pentecost Mass.
The then current Vatican oganist was James Goettsche and served for many years. He was both a superb recitalist and church organist.
Here is a nice https://catholicreview.org/james-goe...all-the-stops/ article on James from 2005.
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Originally posted by Piperdane View PostMy organ lessons included both church and recital music preparation.
OTOH, I listened to a local Catholic organist (& concert artist) play for a mass recently, and I couldn't help feeling (s)he was having issues accompanying the Psalm as well. It was also difficult to follow him for the hymns, as there were very few breaks in a very reverberant church. For Romantic music on that organ, maybe–for leading singers, nope, breaks are necessary. Otherwise it's just mush.
Michael
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