Hi all - this is my first time posting but I've been reading at OrganForum for awhile. There are two questions at the end and I'd appreciate any input people have.
I recently picked up an H-112 after a lot of searching and waiting for the right deal to come along. Musically, I'm more interested in classical than blues, but my main interest is to just play around with tones & colours & dense harmony while using 10 fingers & 2 feet.
So why did I choose an H100?
- no/less foldback (when compared with B3)
- stereo knee-level speakers (I fell in love with knee-level stereo with my first organ, a Galanti F-40)
- the extra drawbars (more tonal options)
- the price (mine was $100. $100!!!!)
- ease of adding a Leslie later
What don't I like about the H?
- 25-note pedalboard (I'd have preferred an E's AGO pedalboard, but E has other disadvantages)
- potentially, getting it to work properly...
I'm no expert or electrician, but I've spent some time rooting around and here's the organ's current condition:
- all drawbars & keys working except the highest pedal (this note has the contact broken off; I'll be replacing this...)
- seemingly all of the white toggle switches work, except that there's a bit of static in the "VOLUME SOFT" and the two echo switches
- flourescent light, "Rhythym II" unit, percussion section, and presets all work
- Serial #9445
- only 1 of 3 speakers is producing sound (Channel B according to the specs; if accessing the rear of the organ, it's the righthand 8")
- broken belt between tonewheel motor and the square scanner box (I added a rubber band for now & will order a new belt soon)
- every date stamp I've seen on parts begins with 67 (where #### seems to mean YYWW, according to other OrganForum posts)
- every tube emits a visible glow (no idea if this means they work, but they're all getting power...)
- a home-made 1/4" earphone jack was added from the 15" feed (it has no signal, just like the speaker itself)
- there's a slight hum from the Channel A 8" speaker that responds to the volume pedal; the hum is at the electrical pitch B
- the regular tone that's coming out of the organ now is pretty loud, but it's missing the low end and it's also missing out on brilliance (higher Hz?)
- the bench is covered with a worn out yellow/brown pattern padded cloth (hopefully there's polished wood underneath...)
- cosmetic condition is decent: the wood is nearly flawless; one E flat is damaged (cigarette ash meltage?); drawbar labels worn off; preset labels partially worn off
- it's freshly oiled as of yesterday (it came with a long skinny tube of hammond oil, which was really handy when oiling it...)
In short most of it works, with a few critical things to work on:
- getting the other 2 speakers/channels working
- freshening up the sound: possibly replacing/updating the electrolytic capacitors or ____ (?)
- seeing what's underneath that bench fabric
So, after the introduction, here are a couple of questions to the gang:
- given my description of the organ, does anyone know how to get Channel A and the Bass Channel working? (... the other two speakers)
- if parts need to be replaced to regain a full sound ("dried up electrolytic caps"?), where's the best place to start? I don't really care about "authentic key click" or other attack characteristics, but I do care about sustained pitches being as full-spectrum as they were back in '67.
Thanks!
I recently picked up an H-112 after a lot of searching and waiting for the right deal to come along. Musically, I'm more interested in classical than blues, but my main interest is to just play around with tones & colours & dense harmony while using 10 fingers & 2 feet.
So why did I choose an H100?
- no/less foldback (when compared with B3)
- stereo knee-level speakers (I fell in love with knee-level stereo with my first organ, a Galanti F-40)
- the extra drawbars (more tonal options)
- the price (mine was $100. $100!!!!)
- ease of adding a Leslie later
What don't I like about the H?
- 25-note pedalboard (I'd have preferred an E's AGO pedalboard, but E has other disadvantages)
- potentially, getting it to work properly...
I'm no expert or electrician, but I've spent some time rooting around and here's the organ's current condition:
- all drawbars & keys working except the highest pedal (this note has the contact broken off; I'll be replacing this...)
- seemingly all of the white toggle switches work, except that there's a bit of static in the "VOLUME SOFT" and the two echo switches
- flourescent light, "Rhythym II" unit, percussion section, and presets all work
- Serial #9445
- only 1 of 3 speakers is producing sound (Channel B according to the specs; if accessing the rear of the organ, it's the righthand 8")
- broken belt between tonewheel motor and the square scanner box (I added a rubber band for now & will order a new belt soon)
- every date stamp I've seen on parts begins with 67 (where #### seems to mean YYWW, according to other OrganForum posts)
- every tube emits a visible glow (no idea if this means they work, but they're all getting power...)
- a home-made 1/4" earphone jack was added from the 15" feed (it has no signal, just like the speaker itself)
- there's a slight hum from the Channel A 8" speaker that responds to the volume pedal; the hum is at the electrical pitch B
- the regular tone that's coming out of the organ now is pretty loud, but it's missing the low end and it's also missing out on brilliance (higher Hz?)
- the bench is covered with a worn out yellow/brown pattern padded cloth (hopefully there's polished wood underneath...)
- cosmetic condition is decent: the wood is nearly flawless; one E flat is damaged (cigarette ash meltage?); drawbar labels worn off; preset labels partially worn off
- it's freshly oiled as of yesterday (it came with a long skinny tube of hammond oil, which was really handy when oiling it...)
In short most of it works, with a few critical things to work on:
- getting the other 2 speakers/channels working
- freshening up the sound: possibly replacing/updating the electrolytic capacitors or ____ (?)
- seeing what's underneath that bench fabric
So, after the introduction, here are a couple of questions to the gang:
- given my description of the organ, does anyone know how to get Channel A and the Bass Channel working? (... the other two speakers)
- if parts need to be replaced to regain a full sound ("dried up electrolytic caps"?), where's the best place to start? I don't really care about "authentic key click" or other attack characteristics, but I do care about sustained pitches being as full-spectrum as they were back in '67.
Thanks!
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