Hello!
I've been working a bit on a chopped/roadcased C3 lately, it's been put in a studio by the owner after many years of storage. It's a two-case design - manuals and preamp in one box and generator, scanner and line box in another. There's no swell pedal, linkage or arm, and a volume pedal has formerly been used between a 1/4" jack output and a Leslie interface box. I recently wired the organ and a Leslie 145 with Speakon-8 contacts, according to a local wiring standard.
The owner does have several Yamaha FC7 pedals around and wishes to use one as a volume/expression pedal. I've tried wiring it between the AO28 terminal F (volume soft) and ground, but it doesn't work optimally - most of the volume change is on the bottom 20% of the pedal travel, and there's distortion as bottom is reached. I also tried wiring it between one G and ground, resulting in very little change in volume from bottom to top.I currently research other ways of wiring up the FC7.
One idea is wiring it between the tone control wiper and 12BH7 grid, either as a straight voltage-divider volume control or as a bridged-T notch filter like the LDR on E100, H, L, R or T organs. Does any of you have suggestions or better ideas? Using a bicycle brake cable or similar for swell control is impractical because of case design and missing parts.
I've been working a bit on a chopped/roadcased C3 lately, it's been put in a studio by the owner after many years of storage. It's a two-case design - manuals and preamp in one box and generator, scanner and line box in another. There's no swell pedal, linkage or arm, and a volume pedal has formerly been used between a 1/4" jack output and a Leslie interface box. I recently wired the organ and a Leslie 145 with Speakon-8 contacts, according to a local wiring standard.
The owner does have several Yamaha FC7 pedals around and wishes to use one as a volume/expression pedal. I've tried wiring it between the AO28 terminal F (volume soft) and ground, but it doesn't work optimally - most of the volume change is on the bottom 20% of the pedal travel, and there's distortion as bottom is reached. I also tried wiring it between one G and ground, resulting in very little change in volume from bottom to top.I currently research other ways of wiring up the FC7.
One idea is wiring it between the tone control wiper and 12BH7 grid, either as a straight voltage-divider volume control or as a bridged-T notch filter like the LDR on E100, H, L, R or T organs. Does any of you have suggestions or better ideas? Using a bicycle brake cable or similar for swell control is impractical because of case design and missing parts.
Comment