New member here, since I just cant seem to figure this one out.
Just a quick precursor to outlining this issue. I am completely new to this world of Hammond Organs. I will probably know what youre talking about but my nomenclature isnt perfect, nor is my comprehension of these machines very deep at all. Refer direct to paragraph 3 for the problem, the first 2 are just the things I did to the M3 during troubleshooting.
I picked up this 1958 Hammond M3 for 50$. Its clearly lived inside, and until I opened the dust cover off the TG, it shows no signs of tampering. The TG is well lubricated using genuine Hammond Generator oil. The various wires coming off the TG have been inspected at exhaustion for breaks or cracks. (None have been found)
All tubes have been pulled, and contacts cleaned. Socket and tube. The same can be said for the drawbars, speaker (EM 4 wire) and Generator leads. It starts easy and runs quietly.
I am loosing the tones "C" "F" and "A flat" To include the foot pedals, and in all octaves of both manuals.
C: Upper and Lower Manuals; When any white draw bar is pulled by itself, or with any combination of other white draw bars. (could be 1 could be all of them. doesnt matter)
F: Upper; When the 2nd brown drawbar, 1st and 3rd black drawbars are pulled. Alone, or in conjunction with each other. Lower; When the 1st and 3rd black drawbars are pulled. Together or alone.
A Flat: Upper; When the 2nd black drawbar is pulled . Lower; When the 2nd black drawbar is pulled.
The above are the ONLY times that those tones dont operate. However, the contact of the key being depressed can be heard though the speaker in all the above situations. Also of note, when the Lower 3rd and 4th WHITE drawbars are pulled, the top 2 octaves in tone "C" can be heard clearly, but they sound identical to each other, and incorrect. The same is true for the Upper when the 2nd, 3rd, and 4th WHITE drawbars are pulled. The top 3 octaves of "C" can be heard loudly and clearly, but all sound exactly the same, and incorrect. That is to say, that between B and D, the C sounds out of place.
Every function in the switch boards work flawlessly. To include percussion and vibrato.
The properly functioning aspects of this machine are loud, clear and predictable. The only problems I have noted are as I have outlined above. And again, I have not observed any broken wires nor do I hear ANY nasty sounds from the TG (Like a jammed wheel or something like that). I attempted the "hold the bad key down" while jiggling wires trick, and even tried furiously pressing the bad keys in the above outlined configurations. Contact is absolutely being made at the manuals. But I just cant get the right sounds out of them with those certain drawbar configurations.
Any direction or insight would be greatly appreciated, as I have run out of tests to perform, and feel like its something that can be easily diagnosed to the folks with alot of experience.
Thank You,
Hunter
Just a quick precursor to outlining this issue. I am completely new to this world of Hammond Organs. I will probably know what youre talking about but my nomenclature isnt perfect, nor is my comprehension of these machines very deep at all. Refer direct to paragraph 3 for the problem, the first 2 are just the things I did to the M3 during troubleshooting.
I picked up this 1958 Hammond M3 for 50$. Its clearly lived inside, and until I opened the dust cover off the TG, it shows no signs of tampering. The TG is well lubricated using genuine Hammond Generator oil. The various wires coming off the TG have been inspected at exhaustion for breaks or cracks. (None have been found)
All tubes have been pulled, and contacts cleaned. Socket and tube. The same can be said for the drawbars, speaker (EM 4 wire) and Generator leads. It starts easy and runs quietly.
I am loosing the tones "C" "F" and "A flat" To include the foot pedals, and in all octaves of both manuals.
C: Upper and Lower Manuals; When any white draw bar is pulled by itself, or with any combination of other white draw bars. (could be 1 could be all of them. doesnt matter)
F: Upper; When the 2nd brown drawbar, 1st and 3rd black drawbars are pulled. Alone, or in conjunction with each other. Lower; When the 1st and 3rd black drawbars are pulled. Together or alone.
A Flat: Upper; When the 2nd black drawbar is pulled . Lower; When the 2nd black drawbar is pulled.
The above are the ONLY times that those tones dont operate. However, the contact of the key being depressed can be heard though the speaker in all the above situations. Also of note, when the Lower 3rd and 4th WHITE drawbars are pulled, the top 2 octaves in tone "C" can be heard clearly, but they sound identical to each other, and incorrect. The same is true for the Upper when the 2nd, 3rd, and 4th WHITE drawbars are pulled. The top 3 octaves of "C" can be heard loudly and clearly, but all sound exactly the same, and incorrect. That is to say, that between B and D, the C sounds out of place.
Every function in the switch boards work flawlessly. To include percussion and vibrato.
The properly functioning aspects of this machine are loud, clear and predictable. The only problems I have noted are as I have outlined above. And again, I have not observed any broken wires nor do I hear ANY nasty sounds from the TG (Like a jammed wheel or something like that). I attempted the "hold the bad key down" while jiggling wires trick, and even tried furiously pressing the bad keys in the above outlined configurations. Contact is absolutely being made at the manuals. But I just cant get the right sounds out of them with those certain drawbar configurations.
Any direction or insight would be greatly appreciated, as I have run out of tests to perform, and feel like its something that can be easily diagnosed to the folks with alot of experience.
Thank You,
Hunter
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